Decorative Vinyl Wall Decals. Decorate Wall
Decorative Vinyl Wall Decals
- cosmetic: serving an esthetic rather than a useful purpose; "cosmetic fenders on cars"; "the buildings were utilitarian rather than decorative"
- (decorativeness) an appearance that serves to decorate and make something more attractive
- Serving to make something look more attractive; ornamental
- A design prepared on special paper for transfer onto another surface such as glass, porcelain, or metal
- (decal) either a design that is fixed to some surface or a paper bearing the design which is to be transferred to the surface
- A decal or transfer is a plastic, cloth paper or ceramic substrate that has printed on it a pattern that can be moved to another surface upon contact, usually with the aid of heat or water. The word is short for decalcomania.
- (DeCal) The University of California, Berkeley (also referred to as Cal, California, Berkeley, Cal-Berkeley, and UC Berkeley), is a public research university located in Berkeley, California, United States.
- Vinyl used as the standard material for phonograph records
- Synthetic resin or plastic consisting of polyvinyl chloride or a related polymer, used esp. for wallpapers and other covering materials and for phonograph records
- Of or denoting the unsaturated hydrocarbon radical ?CH=CH2, derived from ethylene by removal of a hydrogen atom
- shiny and tough and flexible plastic; used especially for floor coverings
- A vinyl compound is any organic compound that contains a vinyl group (Preferred IUPAC name ethenyl). Vinyl groups (formula −CH=CH2) are derivatives of ethene, CH2=CH2, with one hydrogen atom replaced with some other group.
- a univalent chemical radical derived from ethylene
- A side of a building or room, typically forming part of the building's structure
- surround with a wall in order to fortify
- anything that suggests a wall in structure or function or effect; "a wall of water"; "a wall of smoke"; "a wall of prejudice"; "negotiations ran into a brick wall"
- A continuous vertical brick or stone structure that encloses or divides an area of land
- Any high vertical surface or facade, esp. one that is imposing in scale
- an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure; "the south wall had a small window"; "the walls were covered with pictures"
The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance.
Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired
after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. The record's only misstep, the aptly named "Short Circuit" utilizes a keyboard riff that is nails-on-a-chalkboard awful, but it can't keep this from being one of the best records of 2001. --Matthew Cooke
Wall Lettering in Virginia Restaurant
The wall lettering adds a nice touch of class to this Virginia restaurant.
Leave the Rest to God on white wall with yellow couch
Leave the rest to God vinyl wall decal on white wall with yellow couch
decorative vinyl wall decals
This newly remastered version of the best-selling reggae album of all time now features 2 additional bonus tracks. Upgraded packaging features 28 page booklet with lyrics and photos.
Even as greatest hits packages go, this is an utter gem. Every song is inspired, in a class of its own, whether the real version of "I Shot the Sheriff," the hymnlike "No Woman, No Cry," or the sheer joy of "Jamming." Even allowing that Marley never wrote any bad material, then Legend is still the creme de la creme, the heart and soul of the Jamaican people packed into one five-inch compact disc. He was unique, and the message of this record, more than any other, is that he died far too soon. --Chris Nickson
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